EDG Performances
Save the date!
The summer semester's performances may be over but don't fret: An exciting new EDG production is already in preparation.
Save the date
February 7, 2026
February 8, 2026
February 10, 2026
February 11, 2026
Exact times TBA.
Location: H7, Bielefeld University
Admission: Free
Donations Welcome
Wanna get involved? Come to our first rehearsal on the 16th of October 2025 at 6pm sharp! The room will be announced soon.
Past Productions
July 2025: Terry Pratchett’s Mort adapted
by Stephen Briggs,
produced by Eric Eikelmann
February 2025: Marian, or the True Tale of Robin Hood
by Adam Szymkowicz,
produced by Eric Eikelmann
July 2024: Dirk Gently's Holistic Detective Agency
by James Goss & Arvind Ethan David,
based on the novel by Douglas Adams,
produced by Elisabeth Ebert
April 2024 (EDG Plus): The Satyricon
by Martin Foreman adapted from Gaius Petronius,
produced by Eric Eikelmann
February 2024: Education Is Dead - A Different Kind of Lecture
created by the EDG,
produced by Elisabeth Ebert
September 2023: The Princess Bride (revival),
produced by Antje Hey
July 2023: She Kills Monsters
by Qui Nguyen,
produced by Elisabeth Ebert
January/February 2023: The Real Inspector Hound
by Tom Stoppard,
produced by Elisabeth Ebert
August/September 2022 [Summer Project] Stories of Now.
Improvised 2-act-plays,
produced by Elisabeth Ebert
July 2022: Lost and Found. Dramatizing Poetry,
produced by Elisabeth Ebert
February 2022: Reconnected: You and Me.
Six Scenes for two Actors each,
produced by Elisabeth Ebert
July/September 2021: A Midsummer Night's Dream
(audio play and mask theatre performance)
by William Shakespeare,
produced by Elisabeth Ebert
Winter 2020/21: Monologues Across Time and Space,
produced by Elisabeth Ebert
July 2020: Shortfilm project Mind_over_matter
created by the EDG,
produced by Elisabeth Ebert
January/February 2020: CLICK HERE* (*we don't sell your data and other likeable lies)
created by the EDG,
produced by Elisabeth Ebert
July 2019: Dear Octopus
by Dodie Smith,
produced by Elisabeth Ebert
Winter 2018/19: One Act at a Time (one-acts: Eight Rooms by Caryl
Churchill, Trifles by Susan Glaspell, and The Children by Edward Bond),
produced by Nick Maaß
July[?] 2018: Our Town
by Thornton Wilder,
produced by Nick Maaß
Winter 2017/18: The Revenger’s Tragedy
by Thomas Middleton,
produced by Nick Maaß
Summer 2017: Stuff Happens
by David Hare,
produced by Angie Starczyk and Nick Maaß
Winter 2016/17: Twelve Angry Men
by Reginald Rose (adaptation by Sherman L. Sergel),
produced by Angie Starczyk
Summer 2016: Pride and Prejudice
by Jane Austen (adaptation by Angie Starczyk and Sabine Wolf),
produced by Angie Starczyk
June/July 2016: The Princess Bride (revival),
produced by Bernhard Eickenberg [?]
May 2016: Apart Time
based on the novel The Silver Linings Playbook
by Matthew Quick,
produced by Angie Starczyk [?]
February 2016: Romeo and Juliet
by William Shakespeare,
produced by Angie Starczyk
February 2016: 1984
by George Orwell
(adaptation by Robert Owens, Wilton E. Hall, Jr., and William A. Miles, Jr.),
produced by Angie Starczyk
July 2015: Dracula
by William McNulty,
produced by Angie Starczyk
February 2015: The Curious Savage
by John Patrick,
produced by Angie Starczyk and Sonja Vollmer
December 2014: A Murder Is Announced
by Agatha Christie,
produced by Jessica Pade and Till Meister
September/October 2014: The Princess Bride,
produced by Bernhard Eickenberg
July 2014: The Rover
by Aphra Behn,
produced by Sonja Vollmer and Stefan Mießeler
May 2014: Delancey Street [?]
February 2014: The Ordinary Madness - A Three Act Trip into Your Unconscious
(one-acts: That’s the Spirit by Stefan Fabrizio Geisler,
Suddenly, Last Summer by Tennessee Williams,
and God of Carnage by Yasmina Reza),
produced by Stefan Becker, Angie Starczyk and Sonja Vollmer
January 2014: No Exit
by J. P. Sartre,
produced by Stefan Becker
[part of Uni-Theater Festival 2014]
October 2013: The Watch of Ankh-Morpork: A Discworld Tale
based on the novel Feet of Clay by Terry Pratchett,
produced by Bernhard Eickenberg
July 2013: The Crucible
by Arthur Miller,
produced by Stefan Becker
March 2013: A Midsummer Night’s Dream
by William Shakespeare,
produced by Stefan Becker
July 2012: Orpheus Descending
by Tennessee Williams,
produced by Stefan Becker
February 2012: The Godfather
by Lasse Lassen,
produced by Lasse Lassen
January 2012: Family Disaster
(one-acts: The Respectful Prostitute by Jean Paul Satre,
and Plaza Suite: Visitor from Forest Hills by Neil Simon),
produced by Stefan Becker
[part of Uni-Theater Festival 2012]
December 2011: A Christmas Carol
by Charles Dickens
(modified stage adaptation by Walter Ben Hare),
produced by Stefan Becker
July 2011: Leave My Family Life Alone!
(one-acts: The Anniversary by Anton Chekhov,
The Respectful Prostitute by Jean-Paul Sartre,
Plaza Suite – Visitor From Forest Hills by Neil Simon,
and Facing Death by August Strindberg),
produced by Stefan Becker and Marie Gloystein
February 2011: The Queen and I
by Sue Townsend,
produced by Stefan Becker and Helena Erlach
July 2010: An Ideal Husband
by Oscar Wilde,
produced by Marie Gloystein
January 2010: The Rose Tattoo
by Tennessee Williams,
produced by Marie Gloystein
July 2009: Quality Street
by J.M. Berrie,
produced by Mirjam Manoutchehri
June 2009: The Lover
by H. Pinter,
produced by Mirjam Manoutchehri
[part of Uni-Theater-Tage 2009]
Summer 2009: The Green Cockatoo
by Arthur Schnitzler (revival),
produced by Mirjam Manoutchehri
January 2009: The Murder Has Two Faces
(included plays by Edward Albee, Paul Reakes, Alfred Greenaway,
Eugene O’Neill, William Morum and William Dinner),
produced by Mirjam Manoutchehri
October 2008: The Path Not Taken (city tour)
(including excerpts from The Importance of Being Earnest by Oscar Wilde),
produced by Mirjam Manoutchehri
June 2008: The Green Cockatoo
by Arthur Schnitzler,
produced by Mirjam Manoutchehri
January/February 2008: Our Town
by Thornton Wilder,
produced by Mirjam Manoutchehri
June/July 2007: Dangerous Corner
by J.B. Priestley,
produced by Mirjam Manoutchehri
[part of Uni-Theater-Tage 2007]
January 2007: The House of Bernarda Alba
adapted from Federico García Lorca,
produced my Mirjam Manoutchehri
July 2006: An Evening of One-Act Plays
by Harold Pinter, Michael Frayn,
Tennessee Williams, and Lee Blessing (one-acts: ?)
[30th EDG Anniversary],
produced by Mirjam Manoutchehri
Winter 2005/06: Crimes of the Heart
by Beth Henley,
produced by Mirjam Manoutchehri
Summer 2005: Private Lives
by Noël Coward,
produced by Mirjam Manoutchehri
June 2005: The Madhouse (an interactive performance workshop),
produced by Mirjam Manoutchehri
[part of Uni-Theater-Tage 2005]
January 2005: The Scottish Play
by Graham Holiday,
produced by Mirjam Manoutchehri
Summer 2004: Absent Friends
by Alan Ayckbourn,
produced Mirjam Manoutchehri
January 2004: Bone-Chiller
by Monk Ferris,
produced by Mirjam Manoutchehri
June 2003: A Tennessee Williams Evening
(including: Portrait Of A Madonna by Tennessee Williams,
Lord Byron's Love Letter by Tennessee Williams,
I Rise In Flame, Cried The Phoenix by Tennessee Williams),
produced by Mirjam Manoutchehri
Winter 2002/03: The Importance of Being Earnest
by Oscar Wilde,
produced by Mirjam Manoutchehri
July 2002: The Dumb Waiter
by Harold Pinter,
produced by Mirjam Manoutchehri
Winter 2001/02: For Services Rendered
by William Somerset Maugham,
produced by Martin Winks
July 2001: Who's Afraid of Virginia Woolf
by Edward Albee,
produced by Martin Winks
Winter 2000/01 : Harlequinade
by Terrence Rattigan,
produced by Martin Winks
Summer 2000: Beckett Fragments (an evening of English and French),
produced by Martin Winks
Winter 1999/2000: Betrayal
by Harold Pinter,
produced by Martin Winks
1999: Bums on Seats
by Michael Snelgrov,
produced by Martin Winks
1998: Separate Tables
by Terence Rattigan,
produced by Martin Winks
February 1997: An Ideal Husband
by Oscar Wilde,
produced by Martin Winks
Winter 1995/96: 4 One Act Plays
(one-acts: Bananas by Richard Bradshaw,
Between Mouthfuls by Alan Ayckbourn,
Heartland by Tony Dunham,
and Thirst by Flann O'Brien),
produced by Martin Winks
January/February 1995: Bedroom Farce
by Alan Ayckbourn,
produced by Martin Winks
January/February/May 1994: The Life and Death of Almost Everybody
by David Campton,
produced by Martin Winks
Summer 1992: Unwanted Hair
by Laura Park,
produced by Martin Winks
June/July 1992: Ten Tiny Fingers, Nine Tiny Toes
by Sue Townsend,
produced by Martin Winks
January 1991/92: The Man Who Came to Dinner
by George S. Kaufmann and Moss Hart,
produced by Martin Winks [two of the performances were held
during the Festival of European Anglophone Student Drama (FEAST 92)]
June/July 1991: 4 One-Act Plays
(one-acts: Humphrey Pumphrey Had a Great
Fall by Alfred Greenaway,
The Education of Meg by June Hornby,
Bang, you're Dead! by Paul Reakes,
and Sandcastles on the Beach by John McColl),
produced by Martin Winks
January 1991: 5 One-Act Plays
(one-acts: A Man's Best Friend by James
SaundersNorma by Alan Owen,
Gladly Otherwise by N.F. Simpson,
Countdown by Alan Ayckbourn,
and Resting Place by David Campton)
(revival), produced by Martin Winks
[performed during the Festival of
European Anglophone Student Drama (FEAST 91)]
Summer 1990: Lady Windermere's Fan
by Oscar Wilde, produced by Martin Winks
1989: Mixed Doubles: An Entertainment on Marriage
including: A Man's Best Friend by James Saunders,
Norma by Alun Owen,
Permanence by FayWeldon,
Countdown by Alan Ayckbourn,
Silver Wedding by John Bowen,
and Resting Place by David Campton),
produced by Martin Winks
1989: The Missing Link
by Jack Sharkey,
produced by Martin Winks
June/July 1988: A Murder Is Announced
by Agatha Christie,
produced by Martin Winks
June/July 1987: The Disappearance of Katie
by Don Cherret and Evan Thomas,
produced by Martin Winks
June/July 1986: A Theatrical Evening
Composed of Extracts from Four Modern Classics
(including: The Importance of Being Earnest by Oscar Wilde
Pygmalion by George Bernard Shaw,
Waiting for Godot by Samuel Beckett,
Everything in the Garden by Giles Cooper),
produced by Martin Winks
June 1985: Come on, Jeeves
by P.G. Wodehouse,
produced by Martin Winks
June 1984: 5 One-Act Plays
By David Campton
(one-acts: Mutatis Mutandis, Soldier from the Wars Returning,
The End of the Picnic, and A Point of View by David Campton),
produced by Martin Winks
July 1983: 5 Slightly Disturbing Plays
(including: Last to Go by Harold Pinter,
Gladly Otherwise and The Form by N.F. Simpson,
and One Blast and Have Done and A Seperate Piece by Tom Stoppard),
produced by Martin Winks
July 1982: 2 Plays
by Noël Coward
(including: Fumed Oak and Still Life by Noël Coward),
produced by Martin Winks
July 1981: 2 One-Act Plays
(including: Rock Bottom by Nina Warner Hooke
and A Fishy Business by Margaret Wood),
produced by Martin Winks
Winter 1979/80: 5 Revue Sketches
by Harold Pinter
(including: Trouble in the Works, The Black and White,
Applicant, Night, and That's All) (revival)
and Search Party - An Improved Play in One Act
(public viewing of a recording from the previous semester),
produced by Martin Winks
[part of university's ten year anniversary celebration]
Summer 1979: Six Revue Sketches
by Harold Pinter
(including: Trouble in the Works, The Black and White,
Applicant, Night, Interview, and That's All)
and Search Party – An Improved Play in One Act
based on the original by Mark Bevan,
produced by Martin Winks
July 1978: The Norman Conquest
by Alan Ayckbourn,
produced by Martin Winks
July 1977: Irish Evening: "A Pound on Demand" – A Sketch in One Act
by Sean O’ Casey,
produced by Martin Winks
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